Wednesday, 30 October 2013

F o l k

         I decided to find out more about folk in fashion as I'm highly inspired by folk motives. In fact , Folk was always present as a part of every culture and nation, specifying beliefs, traditions and position of the wearer.
I started my research by browsing more about history of Folk in fashion.

Multiethinic Fashion
The ethnic clothing and ornamentation have often northern European, South American, Native American, and Asian influences, among others. Time-honored handwork techniques from around the world create the naive appeal seen in felt vests decorated with yarn-embroidered flowers or with cutwork; sweaters crudely knit from bulky yarn; and cardigans with sparkling beads, spangles, or mirror pieces sewn on. The makers use a wide range of materials, such as knit fabric, leather, suede, velour, and denim, and add decorative touches using embroidery, fringes, frills, gathers, and ribbons.

         Part of the appeal of folk fashion is that people can readily adapt it to their personal preferences. Some wearers embrace the ethnic look from head to toe, while others add a single folksy item to a sportswear ensemble.
        According to trend pundits, this craze was sparked in spring 1999 when folk-inspired designs appeared in the Milan collections. This fashion swiftly made their way into boutiques and department stores in Japan, then suddenly gained widespread currency around May the same year.

Accessories Go Folksy, Too
The folk sensibility has found its way into bags, shoes, hats, and jewelry as well as clothing. The stores are full of bags accented with fur (real or fake) and decorated with feathers, beads, or embroidery. As one might expect, the bags feel good to touch.


Kenzo S/S 2011








Matryoshka Couture (Kenzo)







Folk not only uses the rustic graphic motives but as well techniques like embroidery or patchwork.


Embroidered coat with flowers motive.

Maryna Linchuk | Vogue Россия Май 2011 (Photography: Patrick Demarchelier) via Ford Models Blog

Modern look at folk: Over-sized coat; techniques used- patchwork and quilting; Fur elements 


Frida Kahlo - Shooting by Marta Severini, via Behance
Folk knitwear 


Asian folk-warrior styled outlook 

Russian folk clothing


Peruvian style


VIVA LA VIDA: AGNES SOKOLOWSKA BY SANDRINE DULERMO AND MICHAEL LABICA FOR AMICA MAY 2013




 Wiener Models: Backstage @ Susanne Bisovsky Haute Couture Fashion Show 2012 "Everlasting Collection".




Garoo Trading Company Photographer/Stylist: Kate O’Brien Creative Model: Leonie Prendeville MUA: Lizzie Colbert Garment Construction: Meg O’Brien











Valentino Spring 2014 Ready-to-Wear Collection 










 The art of patchwork









 For all patchwork lovers -> http://www.kaffefassett.com/Home.html




 Patchwork inspired garment 




Folk motives in print









 Bulgarian folk pottery




Hippie&folk mixture



V i n t a g e

http://www.youtube.com/watch?v=42acF2nTc3o

http://www.youtube.com/watch?v=MmAsdNmj7Q0


Vintage

Ever wondered how to explain a term 'vintage'? I did! I looked it up and this is what I found: 'Vintage clothing is a generic term for new or second hand garments originating from a previous era. The phrase is also used in connection with a retail outlet, e.g. "vintage clothing store."Generally speaking, clothing which was produced before the 1920s is referred to as antique clothing and clothing from the 1920s to 20 years before the present day is considered vintage. Retro, short for retrospective, or "vintage style" usually refers to clothing that imitates the style of a previous era. Reproduction, or repro, clothing is a newly-made, copy of an older garment.'

Looking at vintage clothes and accessories, I mostly focus on the quality, prints and the organic way they've been produced (in a way their simplicity is their power). The other thing that I love is the vintage styling including make-up and hair styles as in my opinion they caught the common sense of beauty and that's why they are still fashionable and they keep returning in fashion.

Here are some vintage elements/ prints/design that I found interesting and that gave me some design ideas.


I love the colors and the tone of them. As I said , the simplicity is their power and definitely they could be taken much further to make them fresh and exciting for modern fashion customers.


Overwhelming prints and colors? Not necessarily!
This is a retro style interior design that prove we can make it intense but still not aggressive even if we use various prints and colors that might unnecessary. 
Nowadays, it's quite common that designers experiment with the insensitivity of their designs as we are used to see the 'classic beauty' which we are slightly bored of. In fact many of us find it wrong to overuse the colors/prints which makes it more controvert. In 21st century we live intense so why not to dress intense?
What I really like it this photo is that the pieces of furnishing are almost pointing and separating the colors existing it the wall print . Why not trying it in fashion?

Vintage and antique furnishing and equipment is something I rather think more as art than craft.
The details and shapes are more interesting that what we can find in modern stuff. For some reason I find wood very inspiring , not only as a surface but as well the prints and marks on wood. In the past I had an idea of using wood for some fashion designs(thou I would rather use thin, slices to build the garments). 



Vintage clothes make women look very feminine and powerful. Some of them could be still fashionable at present, but some would rather not be found any attractive. They all content many design ideas, that in my opinion weren't developed to the maximum. There are so many accessories that have been forgotten and elements that could be reintroduced to the fashion.









vintage fashion illustrations






Edith Head is interviewed about how costume design helps a motion picture like Roman Holiday, starring Audrey Hepburn. We see some of the costume tests with Hepburn and Head explains how choices were made.























Retro styled outfit




http://adore-vintage.blogspot.co.uk/   I found this blog very helpful in my research and  it's worth having a look at! Another one is : http://vintagefashionlondon.co.uk/

Here is some really  interesting and helpful information that I found on http://vintagefashionlondon.co.uk/top-5-vintage-haute-couture-moments/#.UnFV43DIafA. Hope you enjoy it!!

Top 5 Vintage Haute Couture Moments

History of couture exhibit.
Haute couture (French for “high fashion”) is the art of creating elegant custom clothing designs for specific clients. The designs are usually one-of-a-kind and the creations are produced with the highest quality fabrics, notions and embellishments. They are mostly hand-sewn and involve intricate and delicate stitch work produced by talented and experienced seamstresses. Haute couture is to fashion what the Empire State Building is to architects or what the Mona Lisa is to painters. It is the crème de la crème, the pinnacle of the fashion world and inspiration to the rest of us.
A dress from the Dior archives.
Image: via Pinterest

Beginning of Haute Couture

First couture collections.
Image via Worn Through
Haute couture is said to have been created by Charles Frederick Worth, who is widely known as the “father of haute couture.” He opened his first Paris dressmaking shop, called Worth and Bobergh,  in 1858, which became known as the House of Worth in 1871. Most significantly, Worth is credited with changing the nature of dressmaking as couturiers came to be seen as artists in their own right (as opposed to just artisans).  He further revolutionised the fashion world by being the first couturier to create collections; where previously customers had dictated the dress designs, now he did by producing collections four times a year. Worth actually started the Chambre Syndicale de la Couture Parisienne in 1868, which is the association that oversees the haute couture houses. Worth also created haute couture designs for well-known 19th century actresses like Sarah Bernhardt and Jenny Lind.
The example Worth led set a path in motion and other fashion houses joined in – Lanvin, Poirot, Chanel, Patou, Schiaparelli and Dior among others. Many of these are still in existence today. The number of fashion houses grew to its largest number in the mid 20th century and the 1960s even saw a second wave when many designers who trained under some of the original couture houses, set out on their own artistic journey. Designers who left their mentors to start their own lines include Yves St. Laurent and Pierre Cardin. As the times changed and demands for haute couture changed, the number of haute couture houses have dwindled. Some of the houses still in existence today are Versace, Chanel, Dior, Givenchy and Valentino among others.

Significant Haute Couture Moments

History of couture exhibit.
Image: Style Bubble
In the 150 years of history belonging to haute couture, what have been some of the most significant moments and the most memorable designs?
The reality is that there are many memorable designs and collections in the span of that history – too many to mention them all!  The Musée Galliera in Paris actually curated a Paris Haute Couture exhibition, which was on display for Fashion Week during the spring of 2013. For this exhibition, they chose 100 dresses to represent the history of haute couture from the beginning to the present day. Unfortunately, the exhibition closed in July 2013, but Vogue has a gallery of some designs, drawings and photos featured in the exhibition and the blog, Style Bubble has shared photos taken of the exhibit.

5 of the Most Significant Couture Moments

While we can’t share anywhere near as many of the most significant haute couture moments, we can share 5 of the most important historical moments from the history of haute couture here.
1920s Lanvin Couture
Lanvin bird dress.
Image: Vogue UK
Flappers were all the rage in the 1920s and the costume of the flapper was the drop waist, sleeveless sheath dress. There were many makers of flapper fashion, both high and low, but one particular noteworthy creation was Jeanne Lanvin’s 1928 black taffeta “Bel Oiseau” (beautiful bird) dress. It featured a two-tiered ruffled skirt, an asymmetrical neckline and a gorgeous embroidered Swarovski crystal peacock detail. This dress is a perfect example of the type of evening wear that would have been worn by ladies with means during this period.
1930s Chanel Couture
Coco Chanel in a lbd.
One of Coco Chanel’s most significant contributions to fashion (among many others), was her popularisation of the LBD, or little black dress. Before Chanel’s introduction of the LBD in 1926, black simply wasn’t worn by women on a regular basis – it was a symbol of mourning (made popular during the Victorian era). Chanel’s LBD changed that perception completely and now black is commonplace for day and evening wear. Karl Lagerfeld even said, “One is never over or under dressed in a little black dress.”
Dior's new look 1947.
Image: Vogue. Photograph by Serge Balkin.
In the late 1940s, after the austerity of the world war period, Dior came out with a collection that was such a departure from the minimalist look of the previous decades that it was called the “New Look.” It was a luxurious, feminine and fabric-rich collection featuring full skirts, nipped waists and narrow shoulders. The New Look was so trendsetting that it defined what was fashionable for a whole decade, staying popular until the introduction of the “Jackie” look at the end of of the 1950s. The standard day look featured a full skirt and a fitted jacket, as seen above.
1960s Valentino Red
Valentino's frst red dress.
Valentino opened his couture house in 1959 and, while he can certainly be credited with much in the fashion world, it is probably his Valentino Red gowns for which he is most remembered. His première red design was a cocktail dress called “Fiesta” (seen above)  that debuted in his first 1959 collection. Valentino drew his red inspiration from a woman he saw at the opera. He said, “She was unique, isolated, fiery—the perfect heroine.” He added, “I told myself that if I were ever going to become a designer, I would do lots of red.”
1960s Couture Yves Saint Laurent
An Yves Saint Laurent suit.
Image: Vogue. Photograph by John Cowan.
Yves Saint Laurent founded his own fashion house in 1961 and presented his first collection the following year. He said this about his own design aesthetic: “Chanel freed women, and I empowered them.” The bold words referred to Chanel’s simplification of female fashion in the 20s from the fussiness that had earlier trapped women. By presenting a collection that was empowering, he was presenting women with the next level of empowerment. He revolutionised women’s fashion by incorporating masculine elements into his collections, like the trouser suit, military accoutrement, miliary styling, safari jackets, smoking jackets and many more…